Affective Cities

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Affective Cities

Nigel Thrift

Cities as “storms of affect” (How Emotions Work, Jack Katz)

Plato studied art and affect, Darwin wrote (in 1872) The Expression of Emotions

Yet affect is neglected in academic discussion. Why?


  • residual Cartesiansim
  • cultural division of labor – the arts “do” affect
  • affect is not easily captured

But we should look carefully at affect b/c it’s part of the political register

  • it is deployed to gain wealth/power
  • it’s part of how cities are understood – cities must be “expressive” to survive

What is affect (a plane we tap into)?

  • embodied practices

    phenomenology

    states that the body moves through

    words are representation of emotional state (Katz)

    we see our own emotions through the reactions of other people
  • biological drive

    in cultural translations of Freud (vehicles of libido)

    driving physical reactions (Tompkins), esp in the face
  • naturalistic/emergence from interaction

    ie, Spinoza
  • physiological change, writ on the face (Tompkins, Darwin)

    face as screen

the politics of affect

  • agencies of choice (mixed activities like electoral activities and protest politics)
  • mediatization (screen as alternate surface)
  • small spaces and times (using cinema theory to explain engineering time to produce affect based on anticipation and delay)
  • design of space (ie, urban lighting consultants and use of music in retail)

changing the politics of affect

  • skillful comportment

    disciplines for openness (Dryerson, Virella)
  • reparative knowing (ie, psychoanalytic strategies)
  • tending and neuropolitics (Spinoza, Deleuze)

    political ecology: “pruning” bad affect and tending good

    William Connolly: Neuropolitics (using layers of attention)
  • face (Bill Viola)

    gets real audience response

    audience constructs an archaeology of affect through the body

    points to neglected aspect of cities: as seas of faces

    learning how to register affect

    embedding affect in space and time

    looking at modern affect: visual reference as shortcut (Marcus)

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